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The Winter's Tale (Folger Shakespeare Library)
Ebook Free The Winter's Tale (Folger Shakespeare Library)
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About the Author
William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.Paul Werstine is Professor of English at the Graduate School and at King’s University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare’s plays.
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Excerpt. © Reprinted by permission. All rights reserved.
Characters In the PlayLEONTES, King of SICILIAHERMIONE, Queen of SiciliaMAMILLIUS, their sonPERDITA, their daughterPOLIXENES, King of BOHEMIAFLORIZELL, his sonCAMILLO, a courtier, friend to Leontes and then to PolixenesANTIGONUS, a Sicilian courtierPAULINA, his wife and lady-in-waiting to HermioneCLEOMENES courtier in SiciliaDION courtier in SiciliaEMILIA, a lady-in-waiting to HermioneSHEPHERD, foster father to PerditaSHEPHERD'S SON AUTOLYCUS, former servant to Florizell, now a rogue ARCHIDAMUS, a Bohemian courtierTIME, as ChorusTWO LADIES attending on HermioneLORDS, SERVANTS, and GENTLEMEN attending on LeontesAn OFFICER of the court A MARINER A JAILER MOPSA shepherdess in BohemiaDORCAS shepherdess in BohemiaSERVANT to the ShepherdSHEPHERDS and SHEPHERDESSES Twelve COUNTRYMEN disguised as satyrsACT 1Scene 1Enter Camillo and Archidamus.ARCHIDAMUS If you shall chance, Camillo, to visit Bohemia on the like occasion whereon my services are now on foot, you shall see, as I have said, great difference betwixt our Bohemia and your Sicilia.CAMILLO I think this coming summer the King of Sicilia means to pay Bohemia the visitation which he justly owes him.ARCHIDAMUS Wherein our entertainment shall shame us; we will be justified in our loves. For indeed --CAMILLO Beseech you --ARCHIDAMUS Verily, I speak it in the freedom of my knowledge. We cannot with such magnificence -- in so rare -- I know not what to say. We will give you sleepy drinks, that your senses, unintelligent of our insufficience, may, though they cannot praise us, as little accuse us.CAMILLO You pay a great deal too dear for what's given freely.ARCHIDAMUS Believe me, I speak as my understanding instructs me and as mine honesty puts it to utterance.CAMILLO Sicilia cannot show himself over kind to Bohemia. They were trained together in their childhoods, and there rooted betwixt them then such an affection which cannot choose but branch now. Since their more mature dignities and royal necessities made separation of their society, their encounters, though not personal, hath been royally attorneyed with interchange of gifts, letters, loving embassies, that they have seemed to be together though absent, shook hands as over a vast, and embraced as it were from the ends of opposed winds. The heavens continue their loves.ARCHIDAMUS I think there is not in the world either malice or matter to alter it. You have an unspeakable comfort of your young Prince Mamillius. It is a gentleman of the greatest promise that ever came into my note.CAMILLO I very well agree with you in the hopes of him. It is a gallant child -- one that indeed physics the subject, makes old hearts fresh. They that went on crutches ere he was born desire yet their life to see him a man.ARCHIDAMUS Would they else be content to die?CAMILLO Yes, if there were no other excuse why they should desire to live.ARCHIDAMUS If the King had no son, they would desire to five on crutches till he had one.They exit.
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Product details
Series: Folger Shakespeare Library
Mass Market Paperback: 352 pages
Publisher: Simon & Schuster (January 1, 2005)
Language: English
ISBN-10: 0743484894
ISBN-13: 978-0743484893
Product Dimensions:
4.2 x 0.9 x 6.8 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
426 customer reviews
Amazon Best Sellers Rank:
#25,414 in Books (See Top 100 in Books)
Picking up tis play to read I knew absolutley nothing about it other than having heard it's name. I have to say I am glad I took a chance on the unknown because this play was truly a pleasure to read. Once I got used to the English used in it reading it became almost melodic in my head. There is no doubt Shakespeare knew how to make words dance. This play almost feels like it should be two separate plays since they are so very different in feel. The first half a tragedy and the sequel a romance. I feel like Shakespeare wrote this play as sort of an homage to the Greek classics. if that was his intent, then I have to say he succeeded very well indeed. I loved that even with all the flowery language (multiple times requiring me to look up words) he quickly managed to start the film projector in my head I was seeing the action happening in my head. Truly a classic and I am so thrilled that my first foray into Shakespeare unknown to me was such a resounding success!!
This is one of Shakespeare's most powerful, and state of the art plays, yet it is still inadequately known and performed. His haunting portrayal of a charismatic political outsider, a man riven by a river of self-hatreds and insecurities and just as contemptuous of the mob as he is of the political elite who use him for their own purposes, is just as relevant today as in the 16th century, in the shadow of Essex. The book's introduction, by Jonathan Crewe is first rate in understanding both the play and the character of Coriolanus, and I recommend this play for anyone wishing to get his or her feet wet in learning about Shakespeare's tragedies.
Perhaps (?) not among the best known of Shakespeare's works, this play partakes of his ironic and tragic celebration of Roman ideals, namely, "laus", "gloria", "virtus" in particular. The aristocracy of Coriolanus' Rome "appears" dedicated to high-sounding and noble ends - Roman: honour, bravery, valour, proper governance. The governance is presented as "organic" and therefore just. Pleasure is significantly absent from this universe. Continuation as concept and even mere consequences - are best left out of sight. The character of Volumnia devalues what would be "feminine" ends in the language and imagery "she" uses, a deathly and mechanistic language used to describe her son. Marilyn French has seen similarities between Coriolanus-the-character and another notorious misanthrope, Timon of Athens: the search for honor, fame and the attempt to act according to socially accepted rules moves on to a quest for self-exaltation. Without firm rooting in the community - yet while using this very community - there is only the self, and the self cannot provide its own end. One editor having noted that the adjective "alone" occurs more often in Coriolanus than in any other play by Shakespeare, the isolation the eponymous character finds himself in is typical, as it were, of an opposition found between those heroes embodying the "chivalric" as opposed to the "heroic" or "Herculean" ideal (Antony, Coriolanus, Achilles in Troilus and Cressida.) But Hercules is a demi-god: the characters are not; punishment of hubris - Coriolanus' bravery leads to extreme arrogance, as he sets himself above all men - means banishment, isolation, and death.
Coriolanus is not --never has been -- one of my favorites of Shakespeare's works. But the volume under review is in the Arden 3rd series and I've slowly been working my way through the 3rd series volumes as they appear. I'm more than pleased to have read this new treatment of Coriolanus: the editor has done an outstanding job of providing historical context for the play, carefully comparing it to the treatment of the story given in Shakespeare's sources. The editorial machinery carefully adheres to the Arden series standards, explaining how other editions have dealt with textual problems, and providing cogent arguments for the choices made in this edition. I've even come to like the play better. Highly recommended.
The Winter's Tale (New Cambridge Shakespeare)Another crappy formatting job by Cambridge University Press.In order to read the play without insane and seemingly random line breaks, you have to set the font at its smallest size. When it's extremely hard to read. I checked it against Macbeth, in the same series. Macbeth is fine.So for an extra five bucks, you get a practically unreadable text. Nice job Cambridge. Nice job Amazon.
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