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Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art, by John Szarkowski
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Product details
Paperback: 216 pages
Publisher: The Museum of Modern Art, New York (March 1, 2009)
Language: English
ISBN-10: 0870705156
ISBN-13: 978-0870705151
Product Dimensions:
9 x 0.8 x 11 inches
Shipping Weight: 2.4 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
46 customer reviews
Amazon Best Sellers Rank:
#71,415 in Books (See Top 100 in Books)
If you are a fan of some of the world's most notable photographs, buy this book.Comments? I can only echo some of the reviews already written about this important book, such as the review written by Vladimir Belomestnov and Damon Webster.This is an amazing book, less for the quality of the photographs (Which are remarkable and marvelous!) than for what the author Mr. Szarkowski painstakingly wrote about each photograph.John Szarkowski's brief essay about each photograph truly opened my eyes to the subject photograph. First, I would look at a particular photograph in an effort to see what made the photo outstanding. Next, I would read John Szarkowski's discussion of the piece, and I would see aspects of the photograph that I had not previously seen.Great book.
"The critic's job is to place the particular example in the larger context." This book is a brilliant example. Szarkowski here lovingly selects one photograph from each of 100 photographers -- 100 photos from the MOMA collection -- to illustrate the serpentine history of photography. Some of the photos are extraordinary, others are mundane, but so is the chaotic field of photography. This handsome book hints at the depth and breadth of the solutions to the question of what is significant in pictures. I have poured over this book again and again. I have lent it to friends. I discover surprises every time I open it. You can read this book for the perceptive essays or you can just look at the pictures. This book satisfies on both counts.
"The Online Photographer" tipped me off to this excellent book, and boy were they right.This book discusses 100 photographers (100 shots with no artist twice). They are in approximately chronological order. The author discusses why the shots are the way they are in terms of technological limits, expectations/assumptions/conventions of the time, and composition; though not often all three for a single photo.Following up on each photographer via wikipedia and image search was my roll-my-own version of a History of Photography. (but only up to 1969, which is the date of the last photo in this book.)When I started, I didn't know that this was what I wanted, but it was.
This is a scholarly work by Szarkowski which makes engaging and insightful reading. Each page is prefaced by a short essay, most of which relate directly to the image. Occasionally Szarkowski's narrative seems to veer from the topic, as if he has trouble in identifying what he has to say about the image. That critism aside, and it is a minor one, this book provides a marvellous insight into the creative photogaphic process, and has no real peers. The style contrasts sharply with that of Szarkowski's other, earlier work - The Photographer's Eye. Both extend our understanding and knowledge of art. The quality of reproduction is also good.
A survey of the MOMA's photography collection explores the evolution of the photographic medium using specific examples to illustrate its development. Szarkowski investigates the aesthetic, formal, social and historical issues of 100 photographs selected from the Modern's collections.
I was totally captivated by the photo on the cover when I visited a local library and was browsing. This book has a wonderful selection of iconic photos and information about them.
One page of text, and an adjoining page with an excellent reproduction of the subject photograph. The text is by John S; the photos are by the best photographers. John describes how each photographer and photograph is unique. You want to take your time with this one - I'm reading it slowly, one photo per day, and enjoying the visions and inspiration.
I also came to know of this book from Mike Johnston's "The Online Photographer" blog. Reading this book is like having a personal non-hurried guided tour of 100 significant works at MOMA by an expert curator.The subjects of the discussion of each image is not identical for each one. In most discussions we learn about the history of the photographer. More words are probably used to discuss each photographer's history than anything else. The curator's discussion of why the image is significant, why it works etc, is less even with some images getting a greater discussion about this than others.If indeed I had had a long private tour of these images with Mr. Szarkowski I would have asked more questions about why the individual images "worked" than what the author covered in his discussions. OTOH, since I'm somewhat lazy about visiting museums (and I live in NYC!) reading this book is equal or better than a long day trip to the museum. I certainly came away knowing more than when I started this book.
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