Free PDF R&B Bass Masters: The Way They Play, by Ed Friedland
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R&B Bass Masters: The Way They Play, by Ed Friedland
Free PDF R&B Bass Masters: The Way They Play, by Ed Friedland
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About the Author
Bassist and educator Ed Friedland has become known as one of the world's foremost authors of bass instructional materials. As a columnist and Contributing Editor for Bass Player Magazine, Ed has written scores of articles that have helped bassists achieve their goals and develop the skills needed to be well rounded musicians
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Product details
Series: The Way They Play
Paperback: 80 pages
Publisher: Backbeat (November 1, 2005)
Language: English
ISBN-10: 9780879308698
ISBN-13: 978-0879308698
ASIN: 0879308699
Product Dimensions:
8.4 x 0.2 x 10.8 inches
Shipping Weight: 8.5 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
20 customer reviews
Amazon Best Sellers Rank:
#586,835 in Books (See Top 100 in Books)
I buy a lot of these types of bass books, and I like this author's books. This one is good; it's a nice review and tribute to the major bass players within the R&B genre during its heyday. It provides some basic background information about each bassist., and a few measures of signature sample grooves. I like that it has some suggested tracks to listen to for each bassist. The author has done this with some of his other books, and I appreciate it. It helps me build a music library based on bass players and genres. There isn't a lot to engage you and your bass in this book, so it's different from the usual bass work books, which isn't a bad thing. As a book about bass players, styles, and the genre. it is worth the purchase. However, as a bass workbook, maybe not so much. However, I'm glad it's in my library.
Exactly what it purports to be - insight into the styles, "sound" and "signature" techniques of some exceptional R&B bassists. As others have stated, the book is not song-length transcriptions, but rather teaching "nuggets", which includes specific discography suggestions.I strongly recommend listing to the author's recommended cuts prior to attempting to absorb the bassist's dedicated chapter. For me that discography review gave increased contextual understanding of each bass player's approach. Thanks to the wonders of the internet, and Amazon's streaming audio, many of the recommended cuts are just a few mouse clicks away
First, my background: I am a performer (bass trombone and electric bass) and an instructor. I am also a composer and arranger. My undergraduate degree is in Music Education (Masters in Music Composition); and the majority of my Air Force career was spent in the field of Education and Training.I "collect" bass guitar method books, always searching for that "perfect" book for the beginning, intermediate, or advanced bassist. "The R&B Bass Masters: The Way They Play" is written by Ed Friedland who, once again demonstrates that he is truly a master at authoring bass method books that are well-organized and easy to understand, yet extremely comprehensive and informative. (I dare say that, if Ed Friedland is the author, then the book is worth purchasing without any further research required!)Aside from the obligatory introduction, author's biography, acknowledgments and CD track list, "R&B Masters" is divided into 10 chapters, each featuring a different R&B bass legend. Each chapter contains a brief biography of the featured bassist as well as sections on his gear and setup, style and technique, and a lesson with examples from his repertoire (included on the accompanying CD). The lesson examples are explained and analyzed; and written in both standard music notation and tablature. I firmly believe that every bassist (i.e., "musician") should develop as least a rudimentary ability to read music and not rely on tablature. However, this is the precise circumstance where tablature is an invaluable tool to gaining insight as to "how" the R&B master played a particular bass line. What makes this book so great is that the drum part is also included with the music notation and tablature.In addition (and this is the "icing on the cake"), each chapter includes a selected discography (with recommended "cuts") and a detailed "checklist" which covers each bassist's equipment (type of bass, fingerboard, condition [stock or custom], setup, strings, pickups, and amp), as well as the bassist's tone, attack, signature traits, influences and overall approach.As an example of how this all fits together, the chapter on Ronnie Baker (one of Philadelphia's top session bassists in the late '60s-mid '70s) states that he used an Ampeg B-15 amp (as a monitor in the studio; but a direct box fed his sound to the mixing board) and a stock, pre-CBS Fender Precision bass with stock Fender Precision split-coil pickups, a rosewood fingerboard, and heavy-gauge flatwound strings (that had "possibly" been marinated in butter!). It goes on to state that his tone was dark with a very dead sound (strings muted at the bridge with masking tape or paper towels) with a very punchy, yet rounded sound. He kept solid time, and his bass lines were unassuming with occasional bursts of flair. He was influenced by Duck Dunn and James Jamerson, and his overall approach to playing the bass was with melodic, laid-back grooves with a behind-the-beat feel. Further insight into Baker's style and technique is provided by comments from his session-soulmate, drummer Earl Young, who states that Baker made sure he knew what was going on by watching the drummer and his kick-drum pedal. "Baker would watch my feet, explained Young. "He sat on my left side and he'd copy whatever my foot was doing."All in all, a "must have" book for anyone interested in a bassist's perspective of R&B: both its history and bass playing style.
Great lessons. Makes you wanna change to Labella Flatwounds, grab your Fender, lay down o the studio floor and riff to 'What's Going On' ....
It's written by Ed Friedland, what more do I need to say, really? He is the master of bass instruction books, and this is one of his better books. While it doesn't give you as much theory or charting as most of his other books, it does give you a decent glimpse into the careers and lives of some of the greatest bass players who ever lived, and explains how they got their signature sounds, making it easier to emulate their style when covering their tunes.
I've had this book for about ten days now and am very happy with it. The biographical backgrounds on the players is enjoyable to read and it's interesting to see what gear these guys were using -- this information really rounds out this book in a way that makes it stand out from other books I've used.The recording that comes with the book is also very good. The bass is very loud and the author does a good job of nailing each bassist's tone and feel. Also, the rhythms stand up, too, which is key. What's cool is that the bass is in one speaker and the drums are in the other so, if you want, you can turn the balance on your stereo and play with the drums alone, without the bass track getting in your way.I think some people are turned off by this book because the entire bass line for each song isn't written out. Personally, I prefer it this way. I just want to get a taste for what these particular players were doing and don't feel like learning entire songs.
Straight from the land of funk.
Very good book; I recommend having a private bass instructor to help with book.
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